Neurotheology, aliens, and interpreting the immaterial
Standard scratchpad disclaimer. I am not tied to any of the perspectives below.
Matt Harloffs Tuning Sequence - and tuning sequence as functional application of art
When I build software for interfacing with music - I often iterate back and forth between writing tuning sequences and system refinement.
Hyperpop is smart.
In SOPHIE’s Immaterial - there are no drums, just one big, fuck off mono-synth.
Citing Suggestions 🥦🍽🥦
I'll formalise this at some point. For now - I commit changes to this notebook to GitHub.
Interfacing with distributed speaker arrays
Continuing work on a system I was exploring earlier here [ composing with particles], I was working with TouchDesigner.
Metamodernism and the evolution of consciousness
Metamodernism. Everybody. We should probably get on board with this.
An Introduction to Max by way of Microtonality
This is a tutorial outline for a tailored introduction to Max session.
Composing in Virtual Spaces
These notes were written for a presentation to be given at The Victorian College of the Arts, March 23rd 2020.
gyrosc 2 pd
download This patch receives OSC data from gyrosc , and tags them with a dynamic send object to be accessed globally via named receive objects.
composing with particles
I am working on a project that requires me to move sounds around an irregular multi-speaker array system.
packetPunk - OSC logging on an ESP32 Watch
Sold as the dstike esp32 watch devkit, this is an ESP32 microcontroller with an OLED display, a NeoPixel, flashlight, buzzer, battery, charging circuit, SD card slot, and a few buttons.
The NEXTECH QC3863 ( available here) is a small, battery powered, IP security camera, capable of recording to an internal SD card and being administrated via a mobile app.
The open notebook of Bob Jarvis These are my working notes as of early ‘22.
portable video streaming approaches for art installations
I am surveying small, locally streaming cameras for applications in art installations such as capturing video to process, present, or to use for tracking, analysis, or interaction.