I’ve put together a range of laptop stickers featuring some of my favourite creative coding environments. Every web-app these days has a sticker you can slap on your laptop. I feel like we in the Creative Coding community should have the same. Now you can get stickers for openFrameworks, TouchDesigner, Max, Pure Data and Spout.
Music video for Packwood
The video uses a mix of video processing, computer graphics and stop motion animation. Image processing and graphics programming was done in openFrameworks, then each of the 3500 frames were then printed out using a laser printer and recaptured on a lightbox.
openFrameworks code for the project is available here.
Documentation of the experimental animation process below:
I’ve been chipping away at vizzable 3.
It’s looking nicer…
Back to the lab.
Resolume served as the hub for the system. Five sources were spouted in to Resolume: Processing, Max, OpenFrameworks, VVVV and VIZZable. A video file was used to represent Resolume.
Max was used to interpret keystrokes from a wireless USB remote which were then converted to OSC and forwarded to both TouchDesigner and Resolume. In Resolume, the OSC messages were used to switch between Spout senders and in TouchDesigner the same OSC messages were used to control the graphics being projected on to the ground around the TV and to apply transition effects to the source video. As there is currently no native Spout support for TouchDesigner, we used SpoutCam to bring the source video in from Resolume using the video in TOP. Finally, two video streams were sent from TouchDesigner, one to the projector and one to the TV via a scan converter and RF modulator.
We shot the video at Melbourne Medialab and the shoot ran for about 5 hours. Happily, there were no crashes, no stumbles and everything purred happily with all 8 applications passing video between themselves and with Windows deciding to update unannounced in the background. Many thanks to Melbourne Medialab and Super Team for their support.
Spout is out! About a year in the making, Spout is similar to Syphon but for Windows and was made by my Dad. Today it was released into the wild and you can go get it here. With Spout you are able to pass video between Max, Processing, Resolume, VVVV, openFrameworks, Cinder and VIZZable as well as any 32bit application that can accept a webcam stream with the virtual webcam SpoutCam.
For getting started with Resolume see below:
The Melbourne Town Hall Organ is the largest instrument in the southern hemisphere with almost 8 thousand pipes plus bells and drums. The instrument is retrofitted with a MIDI system by SSOS. This system can send and receive note information on separate channels for each manual as well as CCs for controlling swell. The stops are opened and closed using sysex messages which is the complicating factor when working from within Live. The system I ended up devising was a combination of Max for Live devices recreating the stops of each manual which would send sysex messages over to a separate Max patch via UDP/OSC. This patch would then forward the messages to the instrument. In this way we were able to step around Live’s sysex limitations.
The two musicians were both running live, James using his EWI and a live MIDI looping setup to control the four top manuals of the organ and Tristan controlling the pedal manual with a rockband keytar and also running drums and percussion out to the PA. The note information from the two musicians was passed over to myself, also running live and VIZZable where I was able to visualise the note information, mix that with a live camera and send the resulting video out to two projectors, piping through mad mapper and quartz composer along the way.
The biggest hurdle we had to overcome was with the organ getting stuck notes. The organ would stick on a particular note and we’d need to turn it off and on to get it going again, a process that took five to ten minutes. This turned out to be caused by flooding the organ with too many sysex messages in too short a time. By cueing the messages and then emptying the list at a steady rate we were able to open and close stops reliably.
The end result of all of this coercing of old and new technology was a 40 minute improvised audio-visual set intended to bemuse and perplex. If you have a spare 40 minutes you can view the entire set and judge for your self as to wether we were successful.